RT Journal Article
SR Electronic
A1 Zelenková, Dagmar
T1 
JF Aura musica
YR 2016
VO 9
IS 1
SP 34
OP 38
UL https://aura.ujep.cz/en/artkey/aum-201601-0006.php
AB The declamation ideal and the preferred dictation of the operas for the second half of the 19th century ravaged the classical belcanto structure of the melodic line, and new researches in the field of registers and voice casting had a negative influence on the singing technique of a large number of performers of both the 19th and 20th centuries. The effort to express the work as much as possible and realistically demonstrated feelings led to an exaggerated vocal naturalism, ripping phrasing, bad breathing, and generally falling singing techniques.