International Journal of Choir Writing, Music Pedagogy and Music Theory

Aura musica vol. 1, 2012:4-10

Comparative view on fables and facts of musical language in the Renaissance

Pavel Holubec

This contribution deals with musical language and historical context of musical art in the Renaissance, reflects facts and fables, which are connected with this theme, including comparative analysis of other periods of musical development.

Keywords: Polyphony, Homophony, Harmony, Imitation

Published: March 30, 2012  Show citation

ACS AIP APA ASA Harvard Chicago IEEE ISO690 MLA NLM Turabian Vancouver
Holubec, P. (2012). Comparative view on fables and facts of musical language in the Renaissance. Aura musica, 1, Article 4-10. https://doi.org/10.21062/aum.2012.041
Share...
Download citation
  • BibTeX (.bib)
  • Bookends (.ris)
  • EasyBib (.ris)
  • EndNote (.enw)
  • EndNote 8 (.xml)
  • ISI WoS (.isi)
  • Medlars (.medlars)
  • Mendeley (.ris)
  • MODS (.xml)
  • Papers (.ris)
  • RefWorks (.txt)
  • RefManager (.ris)
  • RIS (.ris)
  • MS Word (.xml)
  • Zotero (.ris)
    • Open full article

    References

    1. Hůla, Z. Nauka o kontrapunktu. 1. vyd. Praha: Supraphon, 1985.
    2. Palisca, V. C. (Ed.) Norton Anthology of Western Music, Volume 1: Ancient to Baroque, W. W. Norton and Company, Inc, 1996, New York, USA.
    3. Michels, U. Encyklopedický atlas hudby. Praha: Nakladatelství Lidové noviny, s. r. o., 2000.
    4. Kouba, J. ABC hudebních slohů od raného středověku k W. A. Mozartovi. Praha: Supraphon, 1988.
    5. Smolka, J. a kol. Dějiny hudby. 1. vyd. Praha: Nakladatelství TOGGA agency, s. r. o., 2000.

    Return to the content