Aura musica vol. 7, 2015:40-49

Specifická pravidla vrcholné belcantové pěvecké techniky

Dagmar Zelenková

18th and 19th century, the vocal melodies marked by the adoption of more pathetic, monumental and dramatic forms, which are reflected in the way of vocal interpretation. Expressive legato gets forward and pushes so far preferred martellato. Declamatory element and preferred expressive diction are hoisted into the spotlight and cause fragmentation of smoothly flowing vocal power. Voice lightness and mobility is hampered by a new building melodic lines, new means of expression and increasing orchestral rate which is no longer fulfilling the form of mere accompanist, but is built with a singer at the same level.

Keywords: supreme belcanto, singing technique, vocal interpretation

Published: September 30, 2015  Show citation